The show's biting commentary of sex education in public schools is just as relevant as the other issues in the show, including the epidemic of teenage suicides.
Through the songs "B**** of Living" and "Don't Do Sadness," the character Moritz expresses and stresses the struggles he faces every day. He even writes a letter to an adult in his life, pleading for help, but the dangerous signs of depression go unnoticed and he eventually takes his own life. All of these problems faced by the characters are extremely relevant to teenagers today. So why aren't more high schools performing it?
Most public schools shy away from musicals like Spring Awakening. The strong language alone is enough to keep it out of the hands of most high school theatre departments. Even for the high schools that are allowed to perform shows like American Idiot and Rent, which have strong language and edgy subject material, Spring Awakening still seems out of grasp. The subject matter of sex and sexuality is off-limits.
But teenagers grapple with these issues every day of their lives. The characters Ernst and Hanschen represent teenage youths exploring their sexuality together. Gay characters do not often appear in musicals performed by high schools, and when they do, they are frequently portrayed as a punchline and not as real people with real emotions and motivations. What message does this send to the hundreds of thousands of students who not only view but perform this material?
The message that Spring Awakening sends is that whatever you're going through, whoever you are, whomever you love, it's okay. It's all part of growing up. And that message is so crucial to developing teenagers.
Many students who perform Spring Awakening are extremely passionate about what they're creating. Not only is it a beautiful work of art, with a precise, emotional score and a compelling script, but students are also more likely to be invested in what they perform when they can connect directly to what they create.
Students, and the community they belong to, deserve an artistic outlet that leaves a lasting, positive effect. A dialogue needs to be started somewhere, and many theatre students are devoted enough to be the ones to do it.
We perform Spring Awakening because our youth needs a voice. We perform Spring Awakening because sexual abuse and suicide should not be swept under the rug. We perform Spring Awakening because it is important.
