The Nutcracker - December 20

Nunnbetter Dance Theatre

 Artistic Staff Who's Who 

  • Ernie Prinz

    Artistic Director Nunnbetter Dance Theatre

    Mr Ernie is a choreographer and dancer from Detroit, MI, trained in musical theatre, ballet, jazz and specializing in broadway jazz. He attended AMDA in NYC and continued his BFA at the New School in Manhattan. Regionally he has performed in numerous shows from 42nd Street to Gypsy. as well as the original pas de deux "Echo" by Tony Award-nominated choreographer Margo Sappington. Recently Ernie was featured as Mother Ginger in the 90th Macy's Thanksgiving Day Parade for NBC. Ernie joined the Nunnbetter family in 2009 and proud to be the Nunnbetter Dance Theatre's Artistic Director.

  • Kimberly Galberaith

    Nunnbetter Dance Theatre Director

    Miss Kim is proud to be the Director of Nunnbetter Dance Theatre. Kimberly is from Lakeland, Fl.  She trained and apprenticed with the Tampa Ballet, the Milwaukee Ballet and then at North Carolina School of the Arts.  Kimberly has made a mark in musical theatre, dancing around the world in International and National tours. Kimberly's work as a choreographer has garnered her many accolades and awards.

  • Kerri Mather

    Rehearsal Mistress-Party and Battle Scene

    Miss Kerri holds a BFA in dance from the University of Illinois/Champaign-Urbana. A professional dancer and long time member of the modern repertory company, Rondo American Dance Theatre, she toured the United States and abroad. She has performed works by some of modern dance's best choreographers. A proud teacher at Nunnbetter since 2003.

  • Lili Griffiths Jenkins

    Rehearsal Mistress-Snow and Marzipan Staging

    Ms Lili began studying ballet in Caracas, Venezuela under Nina Novak. At age 11, she was accepted into the Royal Ballet School in London, England. Four years later she graduated to the Royal Ballet Upper School, where she studied for three more years while also performing as an apprentice with the Royal Ballet at Covent Garden. She was offered a contract with the saddler's Wells Royal Ballet, dancing in the corps de ballet and was soon thereafter promoted to soloist. After arriving in the U.S. she performed a variety of principle guest work with other professional ballet companies. 

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